A classic '80's electronic score from Grammy-winning composer Perry Botkin, creating a literal carnival funhouse of holiday madness. Also featuring a second disc with songs by Morgan Ames.
GOOD TIDINGS has the progressive operatic feel of Oldfield's "Tubular Bells," and JeanMichelNoir credits Goldsmith's "Ave Satani" as an influence, using his voice to chant woeful Latin-translated phrases to fashion a "scary carol." Whatever the influences, they are molded, twisted, and contorted into a form that is distinctively JeanMichelNoir.
Featuring dark ambient chills, orchestral thrills and holiday sleigh bells, Riepl's score puts a foreboding spin on the perennial classic "Silent Night."
An international ensemble of renowned composer with the DEATHCEMBER "Main Theme" and "Suite" composed by award-winning composer Andrew Scott Bell and performed by the Budapest Scoring Orchestra with Péter Illényi conducting, featuring oboe soloist Judit Borzsonyi, and clarinet soloist Gyorgy Ree.
The music for BETTER WATCH OUT embodies everything that is wonderful about Christmas-themed horror films with orchestral music that ranges in musical texture from melodic and sentimental, to whimsical, to dark and foreboding.
For HOLIDAY HELL, the composer had to craft a score to harmoniously connect each segment while honoring the unique musical narrative needed to accompany each twisted tale.
Rocky Gray's 10/31 PART III pays homage to great synth scores from the '80s accented by flourishes harkening back to scores by Italian progressive rock icons Goblin and Fabio Frizzi.
The series consists of five interlocking tales of terror that revolve around the Halloween season. Each segment in the series and its score are fueled by nostalgia, with each tale paying tribute to a different genre of horror.
The score for They Live Inside Us by award-winning composer and multi-instrumentalist Randin Graves is a knockout Halloween-themed score with a blend of orchestral and rich 80's synth!
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Matt Cannon's score has both inventive and innovative qualities, but above all evokes memories of great '80s horror scores from composers from the likes of Jay Chattaway and Alan Howarth, whilst also placing his own inimitable musical fingerprint.
Richard Einhorn's THE PROWLER is full of lush orchestrations for strings, winds, and brass. While THE PROWLER does incorporate some electronic studio effects, they are used to enhance the impact of certain moments rather than be the focal point.
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The score for DON’T GO IN THE HOUSE is another innovative electronic composition from the classically trained composer Richard Einhorn.
STORM WARNING and CRAWLSPACE are composed by Director/Composer Jamie Blanks (URBAN LEGEND and VALENTINE). STORM WARNING is directed by Jamie Blanks and CRAWLSPACE is directed by Justin Dix. Both films feature electric scores by auteur Jamie Blanks.
“I have remixed and at times replayed and added parts to all of the tracks that appear on MUSIC FROM KILLING FLOOR 2. Beautifully remastered by Troy Glessner, I believe this is the best these songs have ever sounded.” - Rocky Gray
THE BOOGEY MAN soundtrack was done by Synthe-Sound-Trax in their Hawthorne, California studios. Synthe-Sound-Trax consisted of Tim Krog, Jan Bartlett, and Ed Christiano. Cosidered a classic electronic soundtrack of the '80. The broke the mold after this unsurpassed electronic masterpiece.
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